Our adventure into imprinted sound began with simple curiosity. During a discussion, several years ago, Susan and I discovered that we intentionally embedded high consciousness frequencies into all our creations, no matter the size of the project or its format. We sensed that embedded energies provided an efficient way to convey complex concepts, transformation and healing while cutting through human and physical barriers to success. The listener or reader could just open up to what the energies offered without working at it or overthinking. Although we had the same goal and our efforts were successful, we understood that we had barely scratched the surface of potential. We began exploring embedded frequencies extensively.
We felt into the energies within songs and sounds that resonated with us, taking time to understand how they worked and what they offered. We investigated the energies woven into written works and practised laying down our own. Our explorations took us into the other realms to learn more about imprinted energy. It proved to be a self-fulfilling journey. We opened up and received information layered within everything we did.
One day, my wonderfully creative and talented friend, Susan, took it a step further. She created a soundtrack for us to use in our energetic pursuits. We didn’t know it at the time, but this track would be the turning point in our encoded sound journey. We used this track many times a week as we worked, together and individually, weaving it into our explorations and discoveries. Our other realm adventures took us deep into many subjects and large projects. We tweaked the track several times to meet our adventurous needs. As we used it, we imprinted our discoveries, layers of information, wisdom and the finest of frequencies.
The more we used the track the more potent it became. It amplified and magnified our adventures, morphing to meet our needs at a moments notice. The track had evolved and become a creation that lifted us and our work. Initially, we couldn’t wait to share this track with others, only to discover that the track had become something very personal and sacred to us. It would be a while yet before we’d go on to share it in our product, Opening to Your Senses.
Surprised and excited with the track’s success, it was obvious we needed to include imprinted soundtracks in everything we created. However, there was one drawback. It took time to get these tracks to the standard we needed. Unfortunately, there was nothing to be done, it would take the time it needed to take. Even if it meant delaying our product releases on GlobalAUM.
With that in mind, we forged ahead and Susan created several more tracks. We worked with them, taking the time to ensure the tracks flowed with the listener and opened them up to the multi faceted messages held within sound. It was time to create our flagship product, Sentience, and we needed a new soundtrack. We accepted assistance from the other realms, in the hopes that it would speed up the imprinting process. It worked. Sentience carried within it everything we’d hoped for, and much more. We decided to call on assistance every time we created a track.
Several months later, we were deep in a session together when a group of beings stepped forward and revealed themselves as our Sound Team. They loved what we were doing and had come together to work with us and our soundtracks. If we wished. We happily agreed. In the weeks that followed, Susan could feel the team working with her. The tracks she created came into form smoothly, as if she were guided towards the best possible compositions for the subjects at hand.
Susan sent me a completed track. I was stunned. It was packed with energy. As I listened, I watched energy lift off my phone and swirl through me in fractal patterns like flocks of swallows in a winter sky. Many intricately woven layers of energy filled with information and transformation. There was more energy within that one track than we had ever achieved by ourselves, and that was saying something because our embedded tracks were strong.
For me, in that moment, our work with sound changed for good. The tracks were infused and ready to go. It was a game changer. It was just a matter of using them in our work and grounding them into the physical. Our roles as Messengers and 'bridges between the realms' had become infinitely easier. With these new tracks we could use encoded sound to convey information and energy easily and seamlessly, bypassing and transforming the many barriers and limitations within the physical.
With access to as many encoded tracks as we desired, Susan and I contemplated how best to share our vast experience with sound. With the Sound Team in place, there were bigger things at play. We wondered where we were headed.
I felt a pull to go into a session. I found myself and Susan in a planning meeting with Katana, Ashana and our Sound Team. I paused for a moment. Susan and I stood alongside our I Am's, instead of fully integrated. Whenever this happened, there was always a reason. The air was filled with voices and excitement.
The meeting began and the Sound Team shared that they would work through us, infusing our voices and our products with encoded sound. As we had already experienced, they would guide track creation and imprint them from the outset.
However, they said, while they were the Sound Team, we were the Ground Crew. A flash of awareness flowed through me and I understood why Susan and I were standing in our full human expression in this meeting. The team's sound work would require a strong physical presence to ground the energies to meet physical needs.
Katana reminded me of a discussion we had a few years ago. She'd talked about the roles of Human and Divine and how humans underestimate the human perspective. Humans tend to think that divinity knows everything. They don't realise how the human guides the divine. Divinity honours and respects the physical experience and considers it to be sacred. Just as humans find it hard to be in the energetic realms, divinity finds it hard to be in the physical realm. Humans don't realise that for human and divine collaborations to be successful, there are some things that divinity can't do. Things that require a physical presence.
The Sound Team said it was important that Susan and I continued to work with the tracks in the physical. When we ground in the energies and bridge the gap between the physical and energetic realms, our encoded soundtracks become something unique. The tracks are imbued with a sentience that works with the listener guiding them through the transformation and understandings they need.
There was a lull in conversation as energies poured in. A moment later they asked us to consider offering others the experience of being part of the Ground Crew. They wanted us to offer encoded sound classes and events. These classes and events would focus on a particular subject and the encoded soundtracks would be the course material.
They wanted us to introduce some of the members of our Sound Team. Alongside us, the Sound Team would work closely with members of the Ground Crew, helping them to stabilise the energies of the track, while guiding them through their own discoveries and transformations on that subject. Not only would the Ground Crew get first experience of a specific topic's encoded soundtrack, they played a critical role in grounding the track energies into the physical smoothing the way for future listeners. The tracks used in these classes would become part of our research and development products at a later point.
We got to work. Our encoded sound offering turned out to be bigger than we anticipated as it unfolded before us. We had to push our initial launch and class dates along, but here we are now, ready to explore encoded sound with you. We hope that you enjoyed reading our amazing adventure as much as we enjoyed sharing it with you.
See our Encoded Sound Events for what's on offer.
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Music notes image by macrovector on Freepik
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